Skip to content

Guitar Cab Impedance Explained

Impedance selector on Marshall 4502
The output impedance selector on the back of a Marshall 4502 JCM900 Dual Reverb 2 x 12 combo. Default setting is 8Ω as the two on-board 16Ω speakers are wired in parallel. Read more...

Guitar cab impedance and hence, connection can sometimes be a bit of a mystery but is critically important if for example, you’re using valve amps. That’s amps which have a valve power amp. If you have an amp that has a valve pre-amp section and a semi-conductor (transistor) power amp section, then it’s not a big deal.

Output Select on the back of a Marshall 2555
Keeping things simple; the output impedance selector on the back of a Marshall 2555 Silver Jubilee head. This amp is normally powering a pair of 16Ω 4 x 12 cabs making a total 'load' of 8Ω.


The valves in your power amp don’t connect to your cabs directly. Instead, they go via a transformer. The job of the transformer is to match up the output impedance of the valves to the input impedance of your cabs.

Impedance is like resistance. It’s even measured in Ohms (Ω). Unlike resistance however, impedance is different at different frequencies and so varies depending on the frequency at which it is measured.

To keep life simple, the impedance of a system is specified as an optimum, meaning that although the impedance changes as the frequency changes, the specified impedance is a particular quantity plus or minus so much. The impedance of for example, an 8 Ohm (or 8Ω) cab is roughly 8 Ohms across the used audio spectrum, plus or minus a bit.


Transformers in a vintage Marshall 1959
A vintage Marshall 1959 from 1972 with the back off, showing transformers. On the right is the mains transformer (near the mains socket). The transformer slightly to the left of centre, is the output transformer. The small transformer-looking thing that you can just see on the far left, used to be called a choke. It's basically an inductor used to help smooth out the mains. On a side-note, check out the old Bulgin mains socket.

If there is an impedance mismatch between a valve amp and its load (the cab that it’s connected to), the transformer in the amp is put under stress. This stress will burn out the transformer, your amp set-up stops working and you’re definitely in for a very expensive repair.

If the connection between your amp and your cab is broken and becomes what’s known as ‘open circuit’, then the same thing will happen. Effectively, your amp’s output has been set to drive a specific impedance. With nothing attached, your amp is trying to drive an infinite impedance; BANG!!!!!

Output transformer from a Marshall 10W head.
This is a blown output transformer which I removed a few years ago from a Marshall 100 Watt head. The amp was immaculate and the transformer 'looks' equally immaculate. Unfortunately a dodgy speaker cable was responsible for taking out this baby.


Like anything, it’s actually quite simple if you remember a few basics. For starters, it might be worth noting the following:

  1. Speaker cabs come in combinations of one, two or four speakers.
  2. Virtually all individual speakers in all cabs are 16Ω.
  3. The impedance of the cab itself, is a combination of the 16Ω speakers that are inside it. I’ll show you how to work that out in a minute.
  4. Once you know the impedance of individual cabs, there’s a simple way to work out the impedance of all the cabs connected to your amp.
  5. The last point is the most important; there are exceptions! While most manufacturers follow the rules and apply them to most of their amps, that’s not always the case. The Roland JC-120 is a classic example and I’ll show what I mean a little later.

So, let’s have a look at cabs. The simplest cab is the humble single speaker cabinet like a 1 x 12”, for example. With a single 16Ω speaker, the guitar cab impedance is (you guessed it) 16Ω.

A dual speaker cab will comprise two speakers of the same impedance (usually 16Ω). These will be connected in parallel. When resistors and impedances are connected in parallel, the combined resistance or impedance is worked out as follows:


'Z' is the engineering notation for impedance, so Zt is the total cab impedance and Z1 and Z2 are the impedances of the two speakers respectively. Of course since the impedance of the individual speakers is the same, the formula becomes quite simple, like this:


So to work out Zt (the overall impedance of our 2-speaker cab):


So you might have noticed that two speakers of equal impedance, connected in parallel, have a combined impedance of half of the impedance of one speaker... you have noticed right!

If you’re still with me, let’s throw in some numbers. Let’s start by remembering that our speakers are 16Ω each:


And of course, 8Ω is the correct answer! The impedance of a 2 x 12” cab comprising two 16Ω speakers is 8Ω. That’s because they’re connected in parallel.

Guitar speaker cab impedance explained - Two Speakers wired in parallel like in a 2 x 12 cab
Two speakers wired in parallel like in a 2 x 12 cab.

The combined impedance of series connected speakers (one after the other) is much simpler; you just add ‘em up. So if for example, our two speakers in the cab above were connected in series, then the combined impedance would be 16 + 16 = 32Ω. This doesn’t actually happen, well not to my knowledge.

Cabs with four speakers combine series and parallel wiring to achieve a combined impedance of 16Ω. Modern cabs have two speakers in series which makes 32Ω. Another two speakers in series which makes another 32Ω. The two pairs are then connected in parallel making the whole guitar cab impedance 16Ω.

Guitar speaker cab impedance explained - Four speakers wired in series / parallel like in a modern 4 x 12
Four speakers, two pairs which are wired in series, then wired in parallel.

You can of course do this the other way around; parallel / series, achieving the same combined impedance. In fact most vintage cabs are wired like this so two speakers are wired in parallel to make 8Ω. The other two speakers are also wired in parallel to make another 8Ω. Then the two pairs are wired in series to make the whole guitar cab impedance (8Ω + 8Ω) 16Ω.

Guitar speaker cab impedance explained - Four speakers wired parallel / series like in a vintage 4 x 12
Four speakers wired in parallel and then series. This is how a vintage 4 x 12 will be wired.

If you're not used to all that arithmetic, it can kind of look a little intimidating. On the hand, if you go over it couple of times, it will hopefully start to make sense.

So, cabs can be treated in the same way as individual speakers although cabs are usually connected in parallel inside your amp... err... with one exception (that I know of) and that's the Roland JC-120. Firstly, although it's a combo the speakers aren't powered by one amplifier. There are two independent amps, one driving each of the speakers. Secondly and more relevant to this post, when you plug in additional speakers, they're actually connected in series with the internal speakers.

Remember that the JC-120 is a transistor amp so impedance matching isn't an issue. What it does mean however, is that the load on each amp, will increase when you plug in more speakers, thereby reducing the power output of the whole amp.

Remember that we worked out that 4 x 12 cabs are normally rated at 16Ω? Now consider using two 4 x 12 cabs to make a full stack. Plugging them both into a single amp where they are connected in parallel inside the amp, will make the overall speaker load, 8Ω, just like our very first 2 x 12 example.

2 x 12 cabs work in the same way. Each 2 x 12 cab is 8Ω. Connect two of them to a single amp and the combined overall impedance will be 4Ω so you need to set you impedance switch on the back of your amp, to 4Ω.

As with most things in life and as I've said a couple of times in this post, there are exceptions. As I say, the nice thing about standards is that there's so many to choose from! 🙂

Now then, pictured below is the back of a Marshall TSL122 100 Watt 2 x 12 combo. So is this confusing or what? For starters, the speakers in this thing are different.  Marshall decided to combine a Celestion Vintage with a Celestion Hertitage. Yeah, I know people do that but I'm not a fan, to be honest. Anyway, the point is that each speaker is 8Ω. On top of that (and the second point), is that they're wired in series to create 16Ω. Well that kind of makes everything I've just said, seem like a complete and utter waste of time.

Back of Marshall TSL122

On this particular amp, the on-board speakers are plugged into the (default) 16Ω speaker output, the markings of which are obscured in the picture, by the lead. Plugging into this socket, disengages the other sockets. If you want to use external cabs, you need to unplug the lead going to the on-board speakers, plug into one or both of the other sockets and if your cab impedance is 4Ω or 8Ω, you'll then need to select your impedance appropriately. If you've got a 16Ω cab, you have to unplug the lead going to the built-in speakers and plug your cab into the 16Ω output. That's really confusing and personally, I can't see a way to use the on-board speakers and an extension cab!

I'm not a fan of the TSL series but this kind of thing really makes me back off!

Then there's the Roland JC-120 which I've mentioned a couple of times, earlier. Not a valve amp so impedance isn't at all a big deal but... it's rather interesting that anything plugged into the speaker jacks around the back, is put in series with the on-board speakers. You have to remember that this thing came out in 1979, so what was Roland thinking? On the other hand, who'd want to mess with the sound that comes out of a bog-standard Roland JC-120? It's gorgeous!


So the bottom line is that you need to always check that your guitar amp impedance matches your cab impedance.  Here's a little crib sheet that may be of some help:


Make sure that you read the manual and if you do get stuck, then you can always just call me!

Oh and one more thing;


Rean NYS225B

Yeah, I need to emphasise that! And PLEASE do NOT use microphone cable or anything that just doesn't feel substantial. You need good quality, fat (!) speaker cable with lots of strands, if possible. The one I use a lot is Sommer Meridian 2x2.5mm2 grey speaker cable available from Studio Spares (SKU 546120).

If you decide to make your own speaker cables, I strongly suggest using the Rean NYS225B jumbo 6.35mm (1/4") jack plugs.