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Nektar MIDI Controllers - best tech support ever from Nektar - keyboard repairs in Hertfordshire

Customers’ units come first so when my own stuff needs repairing, it kind of gets put to the back of the que, especially if it’s not a critical system.
 
Anyway, a few weeks ago, the attack slider on my Nektar Impact LX61+ MIDI keyboard started playing up. I tried to do a quick fix but the potentiometer was definitely duff. I fired up a support ticket and received the most amazing response from Nektar. The company basically just sent me a whole new PCB! All I really wanted was the slider pot’.
 
Cost-effective, versatile and easy to program, the Nektar Imact range of MIDI controllers seems perfect for any project studio set-up. Now that I’ve experienced the company’s support first-had, I really can’t recommend them enough. Check 'em out yourself: https://nektartech.com/
 
Mine’s a 61-note which means it’s only got USB out. With a USB switch though, I can run it into my DAW or to a USB MIDI host which allows me to drive my MIDI synths.

Of course I don't just do Marshall repairs on Mondays but what a great way to start the week; a gorgeous 4502 JCM900 50W Dual Channel Reverb on the bench. There's nothing too wrong with this amp. It just came in for a re-valve and a tune-up (bias check) after the customer complained that it sounded a bit dull and lifeless.

In my humble opinion, the JCM900 Dual Channel Reverb was the last 'proper' Marshall. Personally I'm a 100W head freak but the 50W heads and combos do sound sweeter. Put a 50W through a 4 x 12 and you get a whole lotta' beef underneath that sweetness.

Marshall 4502 re-valve and bias at Plasma Music - amp repairs in Hertfordshire

HEAR AND FEEL THE DIFFERENCE
I ALWAYS USE PREMIUM MATCHED VALVES AND I ALWAYS RE-BIAS
CONTACT ME

I get a lot of people ask me about impedance matching valve amps and speaker cabs so sometime over the next couple of weeks, I'll be posting some bumf on how it all works and best practices. Stay tuned!

UPDATE - 12th June 2020: A little more than a couple of weeks 🙁 but here's my post on guitar amp and cab impedance matching.

Yamaha DM2000 User Defined Keys at Plasma Music
General Purpose Interface under the User Defined Keys section on a Yamaha DM2000

Virtually all high-end Yamaha mixing desks such as the DM series, PM5D, LS9 and CL / QL series to name but a few, are equipped with the Yamaha  General Purpose Interface or GPI. The picture above shows the GPI buttons under the 'User Defined Keys' section on a Yamaha DM2000.

It's a great idea and can be so incredibly useful in so many situations. Unfortunately, very few people know what GPI is all about and Yamaha only offer limited implementation options.

Often used to interface a desk with video equipment, the Yamaha GPI standard can also be used to switch on and switch off other equipment such as amplifiers, computers and outboard gear which might be located some distance from the mixing desk. For recording and live applications, this facility could be so incredibly useful.

To take advantage of the Yamaha general purpose interface, I build a distribution box and various gadgets which will allow the GPI on your Yamaha mixing desk, to do just that.

Pictured below is a 3-channel mains power switcher in a solid steel case, capable of switching three loads totalling 10 amps. This particular interface switches three power amps located in another room in a recording studio. Also pictured, is the breakout box which splits the GPI from the desk to eight individual lines. Channels 7 and 8 of this particular switch for example, are used to switch on two computers, also directly from the desk.

Yamaha GPI Custom Distribution and Mains Switch at Plasma Music
Do magic things with GPI switching and breakout systems at Plasma Music

If you have a Yamaha mixing desk equipped with GPI and want to remotely switch gear on and off from it, then don't hesitate to get in touch.

RME Fireface 800 power supply repair

On the bench today; a RME Fireface 800 with a faulty power supply.

Many will know that I'm a mega-big RME fan. Stylish, reliable, oozing sonic excellence in abundance and very easy to use, RME interfaces like the Fireface 800 are sonically very transparent.

When it comes to drivers and firmware, RME is constantly on the ball and software issues with their products simply don't exist. A bold statement I know but in my experience, it's true!

Anyway, every six or seven years the power supplies on these systems pack up. Delivering a reliable but significant output, they do get hot and despite the use of high-temperature tolerant components, time takes its toll. Symptoms range from flashing lights on the front panel, to  the unit not powering up at all.

IMPORTANT!!! If you do get the flashing lights but the unit appears to work okay, please, please, please don't wait until it totally dies, to get it fixed. If you do, you'll probably need a completely new power supply... if you're lucky. If you're unlucky, you're Fireface 800 might need major surgery. 🙁

RME Fireface 800 repaired at Plasma Music

So, if you're in need of a RME Fireface 800 repair, then I'll be more than happy to help you out. It's well worth it. These interfaces are just great. I charge a standard £85.00 for a power supply repair. Just contact me if you want to chat.

Fireface 800 Power Supply repair at Plasma Music

Click here for more information on RME interfaces. In the meantime, here's the spec':

Input AD: 8 x 1/4" TRS, 4 x XLR Mic, 4 x 1/4" TRS Line, all servo-balanced. 1 x 1/4" TS unbalanced
Output DA: 8 x 1/4" TRS, servo-balanced, DC-coupled signal path. 1 x 1/4" TRS unbalanced
Input Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)
Output Digital: 2 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)
MIDI: 1 x MIDI I/O via 5-pin DIN jacks, for 16 channels low jitter hi-speed MIDI
Dynamic range AD: 109 dB RMS unweighted, 112 dBA
THD AD: < -110 dB (< 0.00032 %)
THD+N AD:  < -104 dB (< 0.00063 %)
Crosstalk AD:  > 110 dB
Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted)
THD DA: < -103 dB (< 0.0007 %)
THD+N DA: < -100 dB (< 0.001 %)
Crosstalk DA:  > 110 dB
Input/Output level for 0 dBFS @ Hi Gain: +19 dBu
Input/Output level for 0 dBFS @ +4 dBu: +13 dBu
Input/Output level for 0 dBFS @ -10 dBV: +2 dBV
Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz
Sample rate externally: 28 kHz - 200 kHz
Frequency response AD/DA: -0.1 dB: 5 Hz - 21.5 kHz (sf 48 kHz)
Frequency response AD/DA: -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz)
Frequency response AD/DA: -1 dB: < 5 Hz - 70 kHz (sf 192 kHz)

UPDATE - 11th March 2021

I regularly receive inquiries about the RME Fireface 800 and have been toiling with the idea to make an external power supply.

I've tested a couple of my designs which power the Fireface really well. My designs don't get hot and will last much longer than the original. The problem is that they're all external!

External power supply for the RME Fireface 800
Here's one of my external power supplies all boxed up. This one is for the Cheetah MS6 but the ones I've made for the Fireface 800, looks exactly the same.

So, there are a few problems to overcome...

You need to get a 6-pole connection reliably into the chassis of the unit. The obvious place to do this, is in the position of the IEC power inlet. The problem is that the power inlet is a snap-in type so there are no screw holes. Synthax UK have kindly offered me an old demo unit to play with but I need to be confident that what I do, can be also done by end-users.

As I said, my replacement power supply works just great so that's a good start. I'll keep you posted on how this project progresses.